… “Intersection,” an installation that was exhibited in the ARCO, Madrid, in February 2000, manifests this tendency through the form of intersection between two concrete figures. Babies are emerging in the foggy landscape, which means the passing of infants who did not receive baptism. They are projected to the transparent veils and imprint traces of immateriality with various densities. One doesn’t know literally where they come from. Maybe, did they come from the emptiness that they have to pass to move from one medium to another? The grasses that they trample down grow only in the spectator’s eye. Trees touch their bodies without reaching them. Babies run in a forest without actually being there. They ar freed from all the attachment. Yet, it is them that create the reality itself, through another self divided. …
Jean Paul Fargier, « The Wondering Spirit »
Art in culture,mars,2001